My life has always been shaped by the tension between having a voice and not having one. Earlier in life I struggled with a speech impediment. Then, at 14, I discovered I could sing. That single discovery set everything in motion — a lifelong journey into what it truly means to find your voice and trust it.

 

Singing professionally wasn’t something my parents could envision for me — not because they didn’t care, but because it was simply outside their world. I followed the path anyway.


Performance Bio

I took my first voice lessons in college, and eventually moved to New York City to make my Broadway debut in the Original Broadway cast of Miss Saigon as the alternate Kim.

I have also appeared as Tuptim in The King and I on Broadway with Donna Murphy, and Baz Luhrmann’s adaptation of La Bohème. Regional opera credits include; Bloody Mary in South Pacific with Toledo Opera, Nedda in I Pagliacci with Dicapo Opera, The Rose in The Little Prince with Tulsa Opera, Susanna in Le Nozze di Figaro, and Strauss’s Four Last Songs at The Players Club in Gramercy Park, NYC.

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I have been featured in many pops concerts around the world — some include National Symphony, Symphony of the Americas, Chicago Pops, Boca Pops, Oregon Symphony, Tucson Symphony, Spokane Symphony, Memphis Symphony, Jacksonville Symphony, Florida Philharmonic, Memphis Symphony, Rochester Philharmonic, Richmond Symphony, San Antonio Philharmonic and Columbus Symphony.​

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I am on the faculty at New England Conservatory, Stonehill College, and Choate Rosemary Hall, and have also taught at 92nd St Yin NYC, and the Alliance Theatre.

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